2014 Professional Podcast Studio

Welcome to the fourth and final installment of my podcast equipment buying guide. This guide breaks down the buying decisions for someone who wants to go from zero to podcasting superhero. Everything in this setup is pro-level and you’d be hard-pressed to find someone with a better setup that wasn’t just trying to show off.

This package was put together based on what the leaders of the podcasting world use. From the mixers to the mics to the headphones, everything here has been tested and proven to be top quality.

When building a studio you can of course spend as much money as you want. I could have designed a $100,000 audio-only podcasting setup but that isn’t the point here. This is a professional setup at a price that is approachable by really anyone that is serious about podcasting. Yeah it’s a few thousand dollars but these days with Kickstarter and other crowd-funding options, getting the funds would be cake for someone with the drive.

Professional Podcast Studio

Professional Studio Setup

Professional Studio Setup

Mixer

Mackie ProFX16 MixerWhen you start looking at professional equipment you start to see prices for mixers that exceed the cost of your first car. The mixer Leo Laporte used in the TWiT cottage cost $22,000. We aren’t going to that extreme for this professional podcast studio. We’ll keep things down to earth but still pretty awesome. Our mixer costs $500, sounds like a steal after that Axia Element console and PowerStation mentioned earlier huh?

It’s the Mackie ProFX16 Compact 4-Bus Mixer with USB & Effects. My studio at work uses a Mackie Onyx 1640i 16-channel 4-bus Premium 16×16 FireWire Mixer and it’s a total dream. But it is also $1,600. The ProFX16 is the compact, USB version of this mixer. And while it doesn’t have all the awesome wiz-bang and high-end features of the Onyx1640i, it more than does the job.

You have 16 input channels, four of which have compressors, a USB interface for bringing in audio to your computer digitally. A 32-bit processor brings along 16 audio effects, mostly useful for music production, and a 7-band equalizer that takes care of any on-the-spot equalization needs.

Most important for podcasting is the quality of the components here and the number of XLR inputs. Mackie is famously durable. This model is no different with its ABS side panels encasing the solid steel chassis. If for some reason you found yourself doing lots of live-gig work with this mixer you can be sure it will stand up to the test of time.

Digital Audio Recorder

Zoom H6 RecorderThis podcasting studio employs the use of a digital audio recorder. You may think this is unnecessary when you have a computer available to record the audio but trust me, that is not an ideal setup. Should your computer crash on you in the middle of a recording you’d lose your show. This is your backup system.

Technically you could use just about any digital audio recorder but since we’re going pro on this setup we should skip the consumer and pro-sumer stuff and go straight to the good stuff. Sticking with Zoom, dear lord I love them, is the Zoom H6 Six-Track Portable Recorder.

I love just about everything Zoom makes. This is the H4n but now with four XLR inputs instead of just two. If you did an on-location recording, you could do four people each on their own microphone and monitor out to headphones live without latency issues. Each channel has its own gain knob to adjust input volume on the fly, for those times you aren’t using a mixer.

Probably the coolest feature is that it features discrete audio channels through USB. Most USB mixers can’t even do this. If I could swing the Zoom H6 you can be sure I would. As a backup recording system it feels like overkill, unless you’re talking about the Tascam DR680 8-track Portable Digital Field Audio Recorder

TASCAM DR-680

Microphones

Heil PR40 Microphone BundleChoosing microphones is always a bit controversial. If you have no money to spend it’s easy, get the cheapest. But If you have a little money to throw at microphones, things get testy. Dynamic vs Condenser is the #1 debate. Then it goes down a rabbit hole of diaphragm size, frequencies, sensitivity…

Previously I recommended the Audio-Technica AT-2035 at $150 as a fantastic condenser microphone. I also mentioned one of the problems of condenser microphones is their sensitivity. Fabulous for quiet rooms but pretty awful if you can’t control the room noise. Sometimes it’s worth the risk due to the awesome audio condensers can create. But what if there was a dynamic microphone that sounded like a condenser without the room noise?

Enter the Heil PR40 Microphone.

This has to rate as one of the best dynamic mics I’ve ever come across, both for tonality and versatility — and it’s probably a good thing for the rest of the industry that Bob Heil hasn’t yet turned his attention to condenser mics!

SoundonSound

This is the microphone Keith and the Girl use. It’s the microphone Leo Laporte uses. It’s the microphone pretty much everyone who is making real money off of podcasting uses. All the benefits of a condenser microphone and all the benefits of a dynamic all wrapped into one. Seems impossible but it’s true. At $300 it isn’t cheap but it’s worth it. And besides, $300 for an awesome microphone isn’t a bad deal at all. The Blue Microphones Bottle Tube Microphone System with B6 capsule costs $6,000!

In this case you’re getting the microphone, shockmount, pop-filter, XLR cable and carrying case for under $370. It’s a steal.

Headphones

AKG K240 MKIIIf you’re spending $370 for each of your microphones, you might as well have a set of headphones to match. The AKG K 240 MKII headphones are fabulous and still affordable. Unlike all the other headphones mentioned here, these headphones are semi-open.

Being partially open headphones, these may leak some audio and you’ll be able to hear stuff going on around you, at least a little bit. But this isn’t the worst thing in the world by any means.

For more than three decades, professional engineers and musicians have made the K240 the most widely used headphones in studios and at live consoles around the world.

AKG

But the sound leaking out won’t be a problem with the Heil PR40 microphones. It might cause feedback issues with the Audio-Technica AT-2035 condenser mics but not here. So go for it. Plus these sound great outside of the studio.

AKG K240My first foray into high-end headphones were the original AKG K 240s and I actually prefer the look of the originals. For all intents and purposes, they are exactly the same as the MKII only you can find these for $70 on Amazon. The differences are pretty minimal especially if we’re talking podcasting.

Microphone Amplifier

PreSonus HP4 headphone amplifierThere are a lot of reasons to listen to your podcast as you record it. First you want to make sure all the mics are recording. Once you have confirmed the microphones are working you’ll need to make sure they aren’t picking up anything they shouldn’t.

But you could do that alone. The reason everyone needs a mic is because most people are pretty horrible at knowing how loud or quiet they are. This is especially true when they are on mic. People who aren’t used to being on mic will often times sit too far away from the microphone creating a hollow and quiet voice. Wearing headphones allows them to self-monitor.

With so many headphones you need a headphone amplifier to power them all. This is not like sharing earbuds from your iPhone. These are bigger headphones and being split four times. You could just keep turning up the volume but you will risk damaging the mixer and your headphones. Plus you cannot fine tune the audio for someone who might have hearing problems and needs a boost in power to their headphones.

With these slightly more power-hungry headphones, and considering this is a professional setup, it’s time to step up from a $25 Behringer headphone amplifier and go for the PreSonus HP4 4-Channel Compact Headphone Amplifier. You’ll still be limited to four people with headphones from this unit, unless you start dropping a few more bills, but the quality of the power from this amp vs the Behringer is definitely noticeable.

PreSonus HP4 Headphone Amplifier Input/OutputOh but say you have four people now and this is great but you have six people later on. The PreSonus allows you to daisy-chain another PreSonus, indefinitely, adding 4 more headphones each time. Pretty nifty!

Everything is better on this guy. From the fit and finish to the internals, the Behringer has nothing on the PreSonux except the $100 discount in price.

Microphone Stand

RODE PSA1 Swivel Mount Studio Microphone Boom ArmI always recommend scissor-arm microphone stands. They make placing the microphone close to your subject easy all the while decreasing the chance of picking up desk vibrations or those when adjusting mic placement during a show.

With the Heil PR40 microphone + shock mount weight, those cheap scissor-arm microphone stands I suggested earlier won’t cut it. Your mic will drift downward the entire show. Not ideal. Luckily Heil and RODE both make awesome, albeit expensive, scissor-arm microphone stands.

I’ve chosen the RODE PSA1 Swivel Mount Studio Microphone Boom Arm for this system. It’s basically the Heil but $25 cheaper.

You can tell just by looking at these that they are built much better than the previously recommended stands. All the springs are internal which not only makes them nicer to look at but also helps reduce noise as you adjust them.

ProLine MS112 Desk Boom Mic StandIf $100 for a mic stand is too rich for your blood, pickup the ProLine MS112 Desk Boom Mic Stand. This stand won’t be as flexible in placing your microphone as the scissor-arm stand but’s $70 cheaper!

It features die-cast metal clutches and a heavy-duty die-cast base with a 1″-9″ telescoping boom and 12″-17″ adjustable height.

Shock-mounts & Pop-filters

How lucky are you? This microphone comes bundled with a shock mount, XLR cable and pop-filter. No need for me to sell you on why these are so important, at this point you already know and you’re getting them anyways.

2014 Professional Podcasting Studio Setup

Product Model

Quantity

Price

Total

Mixer Mackie ProFX16 

1

$500.00

$500.00

Recorder Zoom H6

1

$400.00

$400.00

Microphone Heil PR40 (bundle)

4

$370.00

$1480.00

Headphone AKG K 240 MKII

4

$100.00

$400.00

Amplifier PreSonus HP4

1

$130.00

$130.00

Mic stand RODE PSA-1

4

$100.00

$400.00

Shock mount Included

4

$0.00

$0.00

Pop-filter Included

4

$0.00

$0.00

XLR cables Included

4

$0.00

$0.00

TRS patch cable Hosa Cable CSS103

1

$4.21

$4.21

Total:

$3,314.21

Buy Now on AmazonI’ve put together a complete shopping list for everything you see above on Amazon. If this setup sounds like it fits the bill just click here and you can get your show on the road! Plus by using my affiliate links I get a tiny kickback from Amazon which helps me keep this blog going, and invest in fun gadgets to review for you here!

Note, use this link to get the Heil package. It’s a better deal not available from Amazon.

Not convinced that this will cover you? Then you’re out of my league.

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